Helmed by Portishead co-founder the musician-producer, this sharp-edged if undernourished debut feature casts a critical gaze on the ecstasy-fueled club scene. Self-serving drug user David (the actor) first robs an passed-out supplier, then in another flashback tries to burgle his own family home. Before you can say, he's overturned in the wreckage of his car in a woodland – and subject to the angry eye of the Woodsman (Sleaford Mods frontman Jason Williamson). Refusing to extricate David, with no time for city dwellers, he is broken Britain personified: “You’re one of those noisy cunts from up on the heath.”
A Shaky Start and Darkly Funny Duel
The film begins uncertainly, lingering excessively on pedantically chronicling David’s attempt to free himself from his seatbelt, while clumsily segueing into past scenes of his normal activities. The bigger point – that the rave-era youth were mainly focused on number one – is clearly conveyed. But these brief episodes are too thin to properly prime us for what to expect when the Poacher turns up, enraged after David kills his dog. Nevertheless, a grimly amusing standoff takes hold – David desperate to escape; the Woodsman denying his container of cider, determined to soaking him instead in embittered discourse. Williamson, exuding ponderous menace in the role, is evocative of Michael Smiley.
Stylish Imagery and Music Video Vibe
Just a single important plot development, but it results in a comically executed rampage on the forest trails that dips close to rural terror. Filmmaker John Minton finally gets to go all in with his showy imagery: where he was hunkered down doing artful shots of insects in the light in the opening part, he now lets rip with the full psychedelic 21-gun salute, soundtracked to a wild organ version of Ravel’s Boléro. Game feels more like an extended promo than a fully fledged drama, but there’s enough bold visuals to suggest that Minton could follow Jonathan Glazer, Garth Jennings and others into making the leap from the Brit music promo scene.
The film releases in UK and Irish cinemas from 17 November.
